BLUE CRUSH STRAIN 1 41 NO FURTHER A MYSTERY

Notions of looking and voyeurism are resolved spatially and architecturally in “Fantastic For Me.” On this sequence, swooping strains produce a kind of peephole result that reveals Mundt in two distinct poses: adopting the posture of Toulouse-Lautrec’s design and tugging at her belly. This gesture, which appears in other paintings during the